Water From Your Eyes, Friko, and Lou Sherry all sent audiences drifting on a wide assortment of sonic vibes for their Track Zero performance. The show brought forth a valuable lesson in letting your consciousness take the back seat, allowing the wave of music pass you by.
All time Kim Gordon fan, Anika Maculangan, reviews “The Collection” album freshly released under a light of revolution.
In a music bubble where many mainstream hip hop artists’ performances are extremely shallow, Armand Hammer go against that sentiment, showcasing genuine artistry.
Hatis Noit conjured intense, powerful emotions with even more powerful vocals in her performance at Mission Creek. Her entire performance visually and audibly was a mystifying experience.
Hickman, Kentucky folk country artist S.G. Goodman opens up her heart to the crowd at this year’s Mission Creek festival.
Bootcamp rip apart the quaint Trumpet Blossom Café with their heavy, hardcore riffs for their performance at the Mission Creek festival.
KRUI’s Music Staff rounds up the best releases of September
Tropical Fuck Storm – Deep States Aussie noise rock band Tropical Fuck Storm’s third album, Deep States, is as messy and disorienting as the doomed political landscape it was birthed out of. Reflecting mind-poisoning social media discourse twisted through the filter of a distortion pedal, vocalists Gareth Liddiard and Fiona Kitschin deliver some of their most compelling melodies over lacerating guitar and synth lines. The opening track, “The Greatest Story Ever Told”, writes from the perspective of Jesus’ second coming to Earth to proclaim in a grand chorus “There ain’t no end of days.” Even at its loudest, a sense … Continued
Spellling – The Turning Wheel The Turning Wheel, Chrystia Cabral’s third album under the project Spellling, offers bewitchingly captivating progressive folk and neo-soul songs. A shift towards natural instrumentation marks a stark change from 2019’s synth-heavy Mazy Fly, giving these songs a new liveliness, and pushing Cabral’s songwriting towards the theatrical. The sonic palette on its own can be bewildering at first–veering off without warning into performances of soul, hard rock, classical, folk, and of course, synthwave. It’s no surprise that the personnel list reveals more than thirty performers–all of whom sound great. The songs are left with an enchanting … Continued
Squid – Bright Green Field Long before the release of their debut LP, Squid has been making waves in the post-punk community with their own brand of angular and uniquely provocative songwriting that has set them apart from peers in the genre. With the often deranged and purposely erratic vocal delivery of singer Ollie Judge and the driving pseudo-punk melodies conducted by the rest of the band, there is no doubt the group has emotional, musical, and lyrical potency. In their most recent works, including the two singles they released in 2020 and their latest LP, Squid has begun to incorporate … Continued
KRUI Music Staff’s March picks of best releases!
KRUI Music Staff best release picks for the month of October.
Written contributions by Jaden Amjadi, Derek Tate, and Jake Bisson Jeff Rosenstock – N O D R E A M Throughout his career, though especially the last decade of it, Jeff Rosenstock has done more than possibly any artist to remove the stigma from pop-punk. His earworm melodies, impassioned shouts, and nervous energy consistently produce cathartic listening experiences. His newest effort, the surprise-release N O D R E A M, is no exception to this rule. Acting as a soundtrack to yet another anxious breakdown, songs respond to perceived personal inadequacies (“Old Crap”, “Beauty of Breathing”) and political helplessness (“Scram!”, “N O D R E A M”). While many tracks aren’t more than four minutes, most have a tremendous sense of pacing and dynamism, never wearing out a melodic or sonic idea before moving onto the next. The title track’s different musical phases cover a … Continued
Hailey Whitters showcases in her latest album, how hard it was to be recognized in country music.
Get lost in COIN’s Dreamland, the indie group’s third album. Smile-inducing and musically intricate, the 14 track collection is a refreshing jolt of happiness. Featured image via David Odonoghue for Magnetic Magazine.
Five years after Tame Impala released Currents, The Slow Rush is a disappointing drag, functioning as atmospheric background music.
