The liberating intoxication of “Manning Fireworks” and every other creation Jake Lenderman seems to put his hands on.
Following up his well acclaimed 2022 album, Denzel Curry takes it back closer to his roots on his new mixtape “King of the Mischievous South Vol. 2” evoking nostalgia from the Dirty South.
Gabe’s in Iowa City hosts the third edition of Illiterati Fest, which will raise money for the local charity organization United Action For Youth. The event has six bands playing, all from a wide range of sound.
Prolific songwriter Matt Farley sits down to talk about his No Jokes albums ahead of his annual five hour concert.
Across the country and in Iowa, many rural areas are experiencing a shortage in doctors. The roles of nurses and physician assistants are altering their roles to help fill in those gaps.
On their latest release, Vampire Weekend manages to reach new musical highs and make a case for album of the year with their fifth record “Only God Was Above Us”.
This is a roundup of the worst and my favorite genre of music: male indie artists singing about their manic pixie dream girl of the month. AKA indie pop. (image via DIY Mag)
Beatrice Thomas’s presentation on what the end of the world looks like, and what we are going to do about it
Ella Heckman reviews the new album “The Juice: Vol.I” by Emotional Oranges, the enigmatic R&B/pop duo.
Moor Mother’s music is subversive, but only if you haven’t been paying attention. (Image via The Vinyl Factory)
Descriptions of Noura Mint Seymali’s music show its incredible diversity and visionary blend of Moorish psychedelic rock, Saharan funk, and future pop. There is no better way of describing their music than to simply hear and feel it. (image via caramba.fr)
Wasteland, Baby! is full of references and asides to pop culture, politics and the spirit of survival. However you may choose to embrace or reject the void, there’s a track to speak to the contradictions of fear and hope, love and loneliness, anger and joy that buoy us from day to day. (Image via Pitchfork)
Regardless of whatever sticky tangle of emotions you find yourself in this heavily commercialized and commodified holiday, there’s always time to discover some new jams and reunite with some old musical flames!
Spiderman: Into the Spiderverse is the much-needed franchise reboot for the new generation of kids that are sick of being told hang back and watch adults make the wrong calls. (Image via Sony)
Sam Fender is a force to reckon with, wrapping hard-hitting social commentary into a sleek garage rock sound.
Meet the genius behind indie legend Vampire Weekend (Image via Vimeo)
“Backlit by panels of frenetic lines and spinning vortexes, inverted skies and hypnotic suns, Mitski took center stage like a phantom in the sickly yellow light.” (Image via: author)
