Brendan McDonough reviews the Carrier Waves performance as a part of Witching Hour 2019.
Mayday Parade and The Summer Set at Gallagher Way
Mayday Parade took on Gallagher Way with the help of The Summer Set on May 17th.
Mayday Parade took on Gallagher Way with the help of The Summer Set on May 17th.
Seattle based drone metal band sunn O))) performed at Iowa City’s Englert Theater last week, April 18th.
During the new Stop/Time Festival on April 4th, I had the pleasure of attending a reading by acclaimed poet Danez Smith at the Englert Theatre.
Continuing to find inspiration in Iowa City’s arts community. KRUI’s Tarik took a little day trip to Hancher’s new Stop/Time Festival, losing himself in two incredible performances from Evicshen and Sharp Pins.
Logan Melia sits down with Eve 6 at Innings Festival in Tempe, Arizona. Eve 6 took some time after their slot to discuss their early days playing gigs at small cafes all the way to a racetrack.
Luke Combs came to Ames, Iowa with his My Kinda Saturday Night Tour on April 11th, 2026
Brendan McDonough reviews the Carrier Waves performance as a part of Witching Hour 2019.
Beatrice Thomas’s presentation on what the end of the world looks like, and what we are going to do about it
Jack Biscupski reviews rap supergroup Shredders at Gabe’s as a part of Witching Hour 2019.
Brendan McDonough reviews Obnox as part of the 2019 Witching Hour Festival.
Counterfeit Madison confronted racial issues in America through her original work and the recontextualisation of the music of visionary Nina Simone during a powerful performance at the Englert Theatre on Saturday, November 2nd. Featured image by Kate Sweeny, courtesy of Counterfeit Madison website.
Emma Caparula reviews Pony, the latest album by jazz-pop artist Rex Orange County .
Strawberry Girls new groove-infused record is sure to make you move with their meaty, instrumental rock.
The Highwomen is a newly created band where country music superstars come together to provide a platform and a voice for women.
Kanye, you and I need to talk about Jesus is King.
The Replacements reimagined their controversial album Don’t Tell a Soul trading a commercial version for their grunge roots. This time around, The Replacements prove why they were essential to the 80s punk rock scene.