Soil Compilation

Music
Craig Finn Interview

By

After discovering The Hold Steady at Riot Fest, Logan Melia sits down with Craig Finn to discuss his new solo record Always Been, the evolution of narrative songwriting, and finding meaning in modern American life. From faith and mental health to baseball heartbreak, the conversation spans far beyond music.

Online Content
Dancing Differently

By

For nearly 40 years, Jhe Russell needed to be perfect. After all, his dance career demanded it. But when injuries and the chaos of life took him in a different direction, he found peace in a job he never expected.

Film
KRUI Staff Picks our Favorite Media of 2025

By

KRUI is pretty special, not only do we like music, but we also enjoy other things! From movies, video games, a DJ set, and sports, here’s a list of some of our KRUI picks from all things media that we loved to see in 2025.

Sports
Iowa Wraps the Bowtie on 2025 with Bowl Win Over Vanderbilt

By

No. 23 Iowa closed the 2025 season with a statement win, knocking off No. 14 Vanderbilt in the ReliaQuest Bowl behind a clutch performance from senior quarterback Mark Gronowski. The victory snapped Iowa’s long skid against ranked opponents and served as a fitting sendoff for a senior class that chose loyalty and one last ride together.

Music
Album Review

Review: Porcelain Raft – Strange Weekend

By

By Shari Jaffri Mauro Remiddi, or better known as his moniker Porcelain Raft, is a multi-talented man. With an impressive repertoire right down his belt having traveled to many lurks of the world (the dashing Italian lad has worked off Broadway, joined part of a traveling circus in Germany and was part of a choir in Korea — imagine that), Mauro unremittingly stuns with his first full-length album, Strange Weekend. Released by the label Secretly Canadian, Strange Weekend is a wonderful and magical collection of songs. It begins with the woozy track, ‘Drifting in and Out’. With an opener like … Continued

Keep reading...

Review: A Place to Bury Strangers – Onwards To The Wall

By

By Gabrielle Pawlikowski A Place To Bury Strangers’ eighth EP, Onwards To The Wall, is a fifteen minute maelstrom of industrial noise. Against a percussive backdrop of repetitive pummeling, distorted guitars ferociously wail and Oliver Ackermann croons of lost love in a manner so bleak it is almost deadpan. The result: a visceral unleashing of emotion that is both defiant and triumphant. The EP is drenched with the band’s characteristic use of feedback and reverb, stemming from effect petals custom made by Ackermann. The innovative effects are tightly coiled to create five nuggets of post-punk inspired melodies wrapped in an … Continued

Keep reading...

APTBS

Review: High Highs- High Highs EP

By

By Keith Evanson If you can make it in New York, you can make it anywhere. Lately, this has been the case in the indie world. Musical acts Rubblebucket, Cults, and Battles can all testify to this statement, as they have gone from dominating the New York City music scene to now conquering the rest of the country, as well as the blogosphere. High Highs have a lot to be happy about. The past couple of years they have taken over the New York underground music scene. At SXSW last year, they completely killed their set. Now they have just … Continued

Keep reading...

Review: Lana Del Rey – Born to Die

By

By Keith Evanson Video Games. This one single song has started a whirlwind of buzz, praise, criticism, and controversy within the music blogosphere concerning an artist that, prior to its release, flew under the radar. The song itself is beautiful sounding to me—elegant harps and strings surrounded by an angelic vocal, and a fantastic chorus built on a lovely melody. To put it plainly, I think the song is great. The music video is perplexing, though. It features Lana’s ginormous lips mouthing the lyrics in a sultry, sexy manner, which isn’t too unusual to see in modern pop videos. What … Continued

Keep reading...

Review: Bright Giant – Kings & Queens of Air

By

By Keith Evanson Straight outta Des Moines, Iowa, Bright Giant exists to fill your ears with fuzzy distortion and crunchy guitar licks. Front man Josh Davis, who founded The Josh Davis Band, an alt-country band active in the early 2000s, has now broken out of his country shell (mostly), and created a new monster: Bright Giant. The local band released a 5 track EP in the summer of 2010, and since then they have been writing new material for their breakout album, “Kings and Queens of Air.” I can’t really describe the LP more accurately then by simply stating the … Continued

Keep reading...

Bright Giant

Review: The Gimps – Bath Salts

By

By Keith Evanson Methamphetamine, heartbreak, and crime. The second LP from the country/folk/southern rock-inspired band, The Gimps, invites you to the depressing world of the rural south. Band members Johnny Nova and Chris Matule don’t even live in the same region of the U.S (Nova lives in Atlanta, Matule lives in San Francisco.) They record music in their own home studios, and send each other mixes via FTP. The large distance between the two band mates can be easily heard within the mostly muddled mixes of ideas and sounds. The band has yet to find a distinguished sound. “If Had … Continued

Keep reading...

The Gimps Bath Salts

Review: Atlas Sound – Parallax

By

By Nick Lovelace Bradford Cox is one of the most prolific artists in recent memory, having released a total of 14 full-length albums as the front-man of Deerhunter and as Atlas Sound, the moniker of his solo project, since 2005. This isn’t to mention the vast amount of music he’s recorded and shared on his blog. This guy has so many ideas when it comes to music, and it’s amazing that he’s consistently able to sift through his vast body of work to construct a cohesive and thoughtful album. Whether we’re talking about Atlas Sound or Deerhunter, not one of … Continued

Keep reading...

Review: Fool’s Gold – Leave No Trace

By

By Alina Perez Gomez Fool’s Gold is back with their second studio album, Leave No Trace, from IAMSOUND Records.  It is a different style from their self-titled debut album released in 2009.  Luke Top and Lewis Pesacov formed this collective to explore their interest in African music styles, but their second album proves they have found their own style. Leave No Trace is a 10-track mini-vacation.  Many tracks have a tropical sound, with a mix of electronic styling.  I had the first three tracks on constant repeat, “Wild Window” being my favorite track of the album.  It is a dance … Continued

Keep reading...

Review: Wild Flag – Wild Flag

By

By Riley Ubben Whenever anyone in the music blogosphere talks about Wild Flag, the band’s riot grrrl credentials almost always seem to be the primary focus. Sure, everyone loves to throw around the “supergroup” tag, but the success of these ladies’ past projects (Sleater-Kinney, Helium, The Minders) certainly isn’t the only reason for their success now. Plenty of supergroups make headlines every year, but rarely do these projects deliver. I mean, have you heard Loutallica? The reason Wild Flag’s debut is still relevant is because it’s one of the few releases of the year that rocks. And I mean really rocks—the … Continued

Keep reading...