Logan Melia sits down with Pat Kennedy after his electric set at Minnesota Yacht Club discussing new music, his favorite gigs, and more
Logan Melia recaps the 13th annual Windy City Smokeout as it wraps up the five night extravaganza of country music and BBQ
Logan Melia previews the third annual Minnesota Yacht Club taking place July 17-19 with The Strokes, Geese, and more
In the midst of his small office on the fourth floor of the EPB, looking out onto the Stanley Museum of Art, surrounded by two well-populated book shelves and a Kym Day painting of a cowboy feeding a horse Lo Mein, Tom Lin reclines in his swivelback chair and invites me to take a seat.
Logan Melia previews the 14th edition of Windy City Smokeout just outside the United Center in Chicago on July 8-12
Slide Away Festival at The Aragon Ballroom on May 22nd and 23rd with Hum, Nothing, Chapterhouse, and more
Frankie Cosmos’s newest record “Next Thing” may be her most popular work yet, but that doesn’t save it from being rather forgettable (Photo via: PitchFork.com).
Robert Eggers’s debut film “The Witch” is both a chilling and refreshing entry into the horror genre (Photo via: HorrorFreakNews.com)
On Friday night, zombies took over Blue Moose for the Flatbush Zombies show, part of the Mission Creek Festival (Photo via: TheOdysseyOnline.com)
FilmScene’s “Late Shift at the Grindhouse” Showed KISS Meets the Phantom of the Park, with special gues Lisa Jane Persky(Photo via: FilmScene.com)
Wednesday featured a night of readings and literary talks at FilmScene for the Mission Creek Festival (Photo via: MissionFreak.com)
The film portion of the Mission Creek Festival kicked off with a celebration of the father of African cinema, Ousmane Sembene (Photo via: FirstCutMedia.com)
Anna Meredith’s explorations into pop hit a peak on her latest record “Varmints”. (Image via: DIYMag.com)
Son of Saul is a powerful debut for director Laszlo Nemes that carefully tells the story of an Auschwitz prisoner. (Image via: WeLoveBudapest.com)
The King of Comedy is one of Martin Scorsese’s most sorely under appreciated films (Image via: TVsFault.wordpress.com)
Double Indemnity is a classic example of film noir, and is a defining piece of American cinema.
Bloc Party embrace their love of dance and electronic music in their latest album Hymns (Photo via: NME.com)
