“Wide Awake” Parquet Courts reaches its 5th anniversary. To celebrate we look back through its 13 tracks, and how its message applies to today.
Nearly ten years later, this is still one of the best dark ambient albums of all time. Photo courtesy of Malignant Records.
Washer return with their first release in nearly six years with “Improved Means To Deteriorated Ends” out via Exploding In Sound Records.
The University of Iowa and YAF hosted transphobic conservative commentator Matt Walsh to give a lecture at the Iowa Memorial Union amid backlash from the student body.
An interview with rap and jazz artist McKinley Dixon for the Mission Creek Festival. Photo by David Muessig for NPR.
Review of TEKE::TEKE’s performance at Gabe’s April 8, 10:45 PM. Image via Ben Romero
Sarah Bridgeport talks about her experience in playwright Megan Gogerty’s writing workshop and her big takeaways.
Crucet writes from a place of deep love for the country she calls home, and an acknowledgment of its ability to deeply hurt marginalized people and communities.
Emma Caparula attended The Mirror/The Reaping, part of the Witching Hour Festival, on 11/2.
Beatrice Thomas’s presentation on what the end of the world looks like, and what we are going to do about it
Musicians Nicholas Naioti and Ryan Stier brought the ultimate atmospheric yoga experience to the Englert Theatre for the this year’s Witching Hour festival.
Jack Biscupski reviews rap supergroup Shredders at Gabe’s as a part of Witching Hour 2019.
Brendan McDonough reviews Obnox as part of the 2019 Witching Hour Festival.
Counterfeit Madison confronted racial issues in America through her original work and the recontextualisation of the music of visionary Nina Simone during a powerful performance at the Englert Theatre on Saturday, November 2nd. Featured image by Kate Sweeny, courtesy of Counterfeit Madison website.
A preview of what KRUI is anticipating during Witching Hour this weekend.
