Logan Melia previews the third annual Minnesota Yacht Club taking place July 17-19 with The Strokes, Geese, and more
In the midst of his small office on the fourth floor of the EPB, looking out onto the Stanley Museum of Art, surrounded by two well-populated book shelves and a Kym Day painting of a cowboy feeding a horse Lo Mein, Tom Lin reclines in his swivelback chair and invites me to take a seat.
Logan Melia previews the 14th edition of Windy City Smokeout just outside the United Center in Chicago on July 8-12
Slide Away Festival at The Aragon Ballroom on May 22nd and 23rd with Hum, Nothing, Chapterhouse, and more
Mayday Parade took on Gallagher Way with the help of The Summer Set on May 17th.
Seattle based drone metal band sunn O))) performed at Iowa City’s Englert Theater last week, April 18th.
Sarah Bridgeport talks about her experience in playwright Megan Gogerty’s writing workshop and her big takeaways.
Crucet writes from a place of deep love for the country she calls home, and an acknowledgment of its ability to deeply hurt marginalized people and communities.
Emma Caparula attended The Mirror/The Reaping, part of the Witching Hour Festival, on 11/2.
Beatrice Thomas’s presentation on what the end of the world looks like, and what we are going to do about it
Musicians Nicholas Naioti and Ryan Stier brought the ultimate atmospheric yoga experience to the Englert Theatre for the this year’s Witching Hour festival.
Jack Biscupski reviews rap supergroup Shredders at Gabe’s as a part of Witching Hour 2019.
Brendan McDonough reviews Obnox as part of the 2019 Witching Hour Festival.
Counterfeit Madison confronted racial issues in America through her original work and the recontextualisation of the music of visionary Nina Simone during a powerful performance at the Englert Theatre on Saturday, November 2nd. Featured image by Kate Sweeny, courtesy of Counterfeit Madison website.
A preview of what KRUI is anticipating during Witching Hour this weekend.
