Owen Raefield covers the biggest performances and storylines from Iowa’s 55-0 beatdown of Northern Iowa on Saturday.
On a cool night, somewhere in between the last days of summer and first days of fall, the finale to the Hy-Vee Ampitheater’s inaugural season took place. Starring Arizona’s Gin Blossoms, hundreds turned out on their feet for the band in North Liberty’s newest venue.
Week two of college football gave us a pair of early Game of the Year candidates. Unfortunately for the Big Ten, those games came at their expense. This week, we’ll take a look at Iowa’s cathartic win over Iowa State, Oregon’s early-season struggles, and Ohio State’s meltdown against Texas.
The Chicago Bears and Carolina Panthers set Week 1 scoring records in a wild opening game of the 2026 season. Alex Izienicki details the 59-37 win for Chicago.
Owen Raefield breaks down the biggest players and plays from Iowa’s dramatic 16-13 victory in the Cy-Hawk series.
Week one of college football is in the rearview, but it feels like we’ve somehow already experienced a full season’s worth of drama. This week, we’ll dive into the (lack of) updates about Iowa’s quarterback battle, the “Bail Mary” in Ann Arbor, and the stakes of this weekend’s Ohio State-Texas game.
I’d rather not.
Robert Eggers’s debut film “The Witch” is both a chilling and refreshing entry into the horror genre (Photo via: HorrorFreakNews.com)
“There’s nothing hornier than a demon in Hell.”
A touching story about a man and his pudding. Sort of. It’s a metaphor.
If you thought dinner was good, just wait ’till dessert.
The King of Comedy is one of Martin Scorsese’s most sorely under appreciated films (Image via: TVsFault.wordpress.com)
Double Indemnity is a classic example of film noir, and is a defining piece of American cinema.
Reasons you need to read AND see “The Martian.”
Shaun of the Dead is an original and unique zombie comedy that is able to use basic cinematic techniques to improve on the modern comedy film form.
The first film for the Cinema Spotlight: The Good, the Bad and the Ugly (1966), which stands at the top of director Sergio Leone’s filmography.
