Brendan McDonough reviews Obnox as part of the 2019 Witching Hour Festival.
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Counterfeit Madison confronted racial issues in America through her original work and the recontextualisation of the music of visionary Nina Simone during a powerful performance at the Englert Theatre on Saturday, November 2nd. Featured image by Kate Sweeny, courtesy of Counterfeit Madison website.
Grace Waccholz details her experience seeing Marcelo Mena, the former Minister of the Environment in Chile, and his talk “From Impossible to Inevitable: How Climate Action is Mainstreamed Globally”
A preview of what KRUI is anticipating during Witching Hour this weekend.
Emma Caparula reviews Pony, the latest album by jazz-pop artist Rex Orange County .
Strawberry Girls new groove-infused record is sure to make you move with their meaty, instrumental rock.
The Highwomen is a newly created band where country music superstars come together to provide a platform and a voice for women.
Kanye, you and I need to talk about Jesus is King.
The Replacements reimagined their controversial album Don’t Tell a Soul trading a commercial version for their grunge roots. This time around, The Replacements prove why they were essential to the 80s punk rock scene.
Sarah Bridgeport reviews Violet Nines at the Yacht Club and dances along to their infectious energy.
