Counterfeit Madison confronted racial issues in America through her original work and the recontextualisation of the music of visionary Nina Simone during a powerful performance at the Englert Theatre on Saturday, November 2nd. Featured image by Kate Sweeny, courtesy of Counterfeit Madison website.
Places called Babylon don’t usually meet excellent ends: Tom Lin on Babylon, South Dakota
In the midst of his small office on the fourth floor of the EPB, looking out onto the Stanley Museum of Art, surrounded by two well-populated book shelves and a Kym Day painting of a cowboy feeding a horse Lo Mein, Tom Lin reclines in his swivelback chair and invites me to take a seat.
