Seattle based drone metal band sunn O))) performed at Iowa City’s Englert Theater last week, April 18th.
During the new Stop/Time Festival on April 4th, I had the pleasure of attending a reading by acclaimed poet Danez Smith at the Englert Theatre.
Continuing to find inspiration in Iowa City’s arts community. KRUI’s Tarik took a little day trip to Hancher’s new Stop/Time Festival, losing himself in two incredible performances from Evicshen and Sharp Pins.
Logan Melia sits down with Eve 6 at Innings Festival in Tempe, Arizona. Eve 6 took some time after their slot to discuss their early days playing gigs at small cafes all the way to a racetrack.
Luke Combs came to Ames, Iowa with his My Kinda Saturday Night Tour on April 11th, 2026
After listening to a lot of jazz over the past week, culminating in an amazing performance by renowned trumpeter Ambrose Akinmusire and the PUBLIQuartet last Friday at the Stop/Time Festival presented by Hancher Auditorium, I’ve come to the conclusion that most jazz isn’t meant for an audience at all.
Phoenix, Arizona shoegaze band Glixen returns more punishing than ever on their newest EP, the loud and heavy “Quiet Pleasures”.
A review of Hozier’s new EP, Nina Cried Power.
(Featured image via radiofy.se).
Here is a recent review of The Japanese House’s EP, “Swim Against the Tide”. In this column, read short summaries of each song and an overview of the entire EP. Image via The Radical
Check out this genre-bending debut album from Zed’s Dead. (image via: runthetrap.com)
An album review of Strong Asian Mother’s new EP “Lynx Africa.”
Daniel Ellsworth and company show us a good time with their new EP “Bemidji.”
Come check out Basement’s enchanting new album “Promise Everything!” (photo via: youtube.com)
An album review of Sevdaliza’s “Children of Silk.”
Check out this week’s Track of the Week, “Tame One” by Your Friend here!
Check out Why?’s Track of the Week, and their show at The Mill this week!
To call the End of Daze EP the “Only in Dreams Reject Club” would be unjust as some songs never make it on their intended album. But California’s Dum Dum Girls know how to make amazing EPs (He Gets Me High EP anyone?) and End of Daze is like He Gets Me High’s lo-fi art student little sister. Despite the beats in “Season in Hell” and “I Got Nothing” this is perhaps the most chill the Dum Dum Girls have ever been. Even its first single “Lord Knows” finds itself between stoner rock and ‘60s drum beats. But all indie … Continued
