Good. Better. Best. The Chicago Bears hung on once again to defeat the Minnesota Vikings, taking sole possession of first place in the NFC North.
It happened again. Another extremely close loss for Iowa, this time to USC, that left fans slamming TV remotes and flipping couch cushions. Again.
I had the chance to talk with 2-time Grammy Award winner Molly Tuttle ahead of her performance at The Englert on November 16th.
I spoke with Derek Sanders, frontman of Mayday Parade after their gig at Vibrant Music Hall in Waukee, Iowa. A conversation spanning much more than the 20 years of the band, he told me about his latest trilogy release and all the way back to his very first autograph he signed.
This Wednesday on November 12th, Iowa City embraces the New Wave revival as the trailblazing band, Nuovo Testamento performs at The James Theater as part of The Englert’s Track Zero Series.
Somehow, someway, the Bears keep winning. It isn’t pretty, but it doesn’t matter. A win is a win is a win.
Phoenix, Arizona shoegaze band Glixen returns more punishing than ever on their newest EP, the loud and heavy “Quiet Pleasures”.
A review of Hozier’s new EP, Nina Cried Power.
(Featured image via radiofy.se).
Here is a recent review of The Japanese House’s EP, “Swim Against the Tide”. In this column, read short summaries of each song and an overview of the entire EP. Image via The Radical
Check out this genre-bending debut album from Zed’s Dead. (image via: runthetrap.com)
An album review of Strong Asian Mother’s new EP “Lynx Africa.”
Daniel Ellsworth and company show us a good time with their new EP “Bemidji.”
Come check out Basement’s enchanting new album “Promise Everything!” (photo via: youtube.com)
An album review of Sevdaliza’s “Children of Silk.”
Check out this week’s Track of the Week, “Tame One” by Your Friend here!
Check out Why?’s Track of the Week, and their show at The Mill this week!
To call the End of Daze EP the “Only in Dreams Reject Club” would be unjust as some songs never make it on their intended album. But California’s Dum Dum Girls know how to make amazing EPs (He Gets Me High EP anyone?) and End of Daze is like He Gets Me High’s lo-fi art student little sister. Despite the beats in “Season in Hell” and “I Got Nothing” this is perhaps the most chill the Dum Dum Girls have ever been. Even its first single “Lord Knows” finds itself between stoner rock and ‘60s drum beats. But all indie … Continued
