KRUI’s Logan Melia reviews Bob Dylan’s Rough and Rowdy Ways Tour as it stopped in Iowa City on March 25th, 2026.
Logan Melia discusses his connection with the Grateful Dead, and what made them so impactful on someone born forty years after their inception
For nine days, an unlikely cast of Hawkeyes made the world believe. They made themselves believe. The team of dreamers, and an unforgettable run in March.
This is not the way it was supposed to go. Not with this team. But such is life. Grief and glee. The dichotomy of college sports.
Jason Isbell returned to Hancher Auditorium on March 4th with a 22-song set spanning his sweeping discography with The 400 Unit, Drive-By Truckers, and his solo career
March is for the dreamers. For the playmakers. For Alvaro Folgueiras. For his family.
The band’s 15th studio album is, in my opinion, one of their best. Image via John Swannell.
Get lost in COIN’s Dreamland, the indie group’s third album. Smile-inducing and musically intricate, the 14 track collection is a refreshing jolt of happiness. Featured image via David Odonoghue for Magnetic Magazine.
Five years after Tame Impala released Currents, The Slow Rush is a disappointing drag, functioning as atmospheric background music.
Unlike the angst-filled, gut-wrenching tracks that saturated Pinegrove’s 2016 release, Cardinal, Marigold is a hesitant musical work that just doesn’t sound like them.
The Who’s first effort in 13 years works as tasteful fan service that’s much more self-aware than most bands past their peak.
Sarah Bridgeport reviews Sarah Sparks’ crowdfunded new folk album All I Have.
Hamilton star Leslie Odom Jr. released his second album, Mr, this November. Read more to find out about its unique mix of musical styles and influences. Featured image via Playbill.
Matt Maltese’s new album Krystal provides just the right ounce of cynical humor hidden within the lush DIY production.
Emma Caparula reviews artist FKA Twig’s most recent release.
Kanye, you and I need to talk about Jesus is King.
