Soil Compilation

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Interview: Eve 6 at Innings Festival

Logan Melia sits down with Eve 6 at Innings Festival in Tempe, Arizona. Eve 6 took some time after their slot to discuss their early days playing gigs at small cafes all the way to a racetrack.

Last March, Ellie Goulding’s long-awaited first full album Lights was released. Only a year and seven months later (Tuesday, actually), Halcyon hit the stores. Personally, I have only ever been a fan of a few of Ellie Goulding’s covers, and I never really got into Lights. However, Halcyon has a slightly different feel to it. The pop, almost techo vibe of Goulding’s previous work is still present, but there is a new hint of alternative that really has me hooked. It is most apparent, to me, in the more laid-back track “Dead in the Water.” The first two minutes of the … Continued

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SCOPE Productions is delighted to announce that Zeds Dead will be performing in the IMU Main Lounge on Wednesday, November 28. Doors open at 7 pm, and the show will begin at 8 pm. Zeds Dead have been combining the intensity of dubstep and electronica with their passion for “dig-through-the-crates” hip-hop sampling since 2004, brewing an intense, full-bodied sound that’s as fun and fresh as it is haunting and elegant. Thanks to the skyrocketing popularity they’ve achieved with their incredible run on the summer music festival scene, the pair has transformed into a global sensation that defies genres and brings … Continued

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To call the End of Daze EP the “Only in Dreams Reject Club” would be unjust as some songs never make it on their intended album. But California’s Dum Dum Girls know how to make amazing EPs (He Gets Me High EP anyone?) and End of Daze is like He Gets Me High’s lo-fi art student little sister. Despite the beats in “Season in Hell” and “I Got Nothing” this is perhaps the most chill the Dum Dum Girls have ever been. Even its first single “Lord Knows” finds itself between stoner rock and ‘60s drum beats. But all indie … Continued

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They. Are. Back. No three words remain truer for Sune Rose Wagner and Sharin Foo, the duo otherwise known as The Raveonettes who have melted our ears in the past with high frequency synthesizers and the icy coolness of Foo’s vocals. Whether they are a soundtrack to a chill autumn evening or a heavier rock sound assisting a spontaneous dance party with friends, The Raveonettes have never been disappointing in the 11 years of their career. But how does their latest release, Observator, rank against such legendary albums such as the ‘60s inspired “Back in Black” or the lyric-driven “In … Continued

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