Iowa education’s system has embraced the arrival of artificial cal intelligence with no signs of slowing down. However, some have raised concerns that it may lead to its downfall while others see it as a successor to the internet and printing press.
This weekend, Las Vegas will host the fourth edition of When We Were Young. A festival celebrating the scene out in the desert holds more than you’ve bargained for as 53 bands take on 4 stages in 1 day. A whirlwind for every pair of vans and fishnets in the pit, it’s Christmas in October for many. Here is your stage by stage preview of When We Were Young 2025.
Reviewing White Reaper, World’s Worst and Lip Critic at Gabe’s on Oct. 4th. The Englert’s Track Zero series continues to expose exciting up-and-coming artists in the electronic and alternative rock scene.
Minneapolis alt-rock band Night Moves is heading all the way to Gabe’s in Iowa City this Wednesday night, October 15th. Opening acts will be performed by Dearborn, a four piece alt-rock band straight out of Iowa City, and pianist Sam Blasucci, a founding member of California-based indie band Mapache.
We need to talk. You need more excitement. Confess your private desires. Experience the incredible. Concert review of Deafheaven at the Capitol Theater in Davenport, October 9th.
Developer Wrong Organ’s existential horror game “How Fish is Made” left me with some deeper questions about the nature of choice in the broader context of our existence. If the only way forward is death, does it matter what choices you make in the meantime?
In love with Best Coast or missing the Beach Boys? Check out Seattle’s surf rock group, La Luz.
“Give The People What They Want”, has more character and emotional value than ever before.
Check out this album review on Chicago Indie duo Sleepy Kitty’s new album, “Projection Room”.
The album is the first release from UK artist and composer Mat Zo. Check out this review of a worthy addition to the canon of electronic music.
Take a look at an EP review of local Iowa City musician, Dana T.
Eric Intlekofer reviews the Brooklyn-based duo Mountains’ latest, sprawling drone effort, titled “Centralia.”
What music did KRUIers dig the most in 2012? Music staffers report on their favorites from the past school year.
To call the End of Daze EP the “Only in Dreams Reject Club” would be unjust as some songs never make it on their intended album. But California’s Dum Dum Girls know how to make amazing EPs (He Gets Me High EP anyone?) and End of Daze is like He Gets Me High’s lo-fi art student little sister. Despite the beats in “Season in Hell” and “I Got Nothing” this is perhaps the most chill the Dum Dum Girls have ever been. Even its first single “Lord Knows” finds itself between stoner rock and ‘60s drum beats. But all indie … Continued
They. Are. Back. No three words remain truer for Sune Rose Wagner and Sharin Foo, the duo otherwise known as The Raveonettes who have melted our ears in the past with high frequency synthesizers and the icy coolness of Foo’s vocals. Whether they are a soundtrack to a chill autumn evening or a heavier rock sound assisting a spontaneous dance party with friends, The Raveonettes have never been disappointing in the 11 years of their career. But how does their latest release, Observator, rank against such legendary albums such as the ‘60s inspired “Back in Black” or the lyric-driven “In … Continued
Music director Max Johnson reviews the debut album “The Endless Prom” from Iowa band Trouble Lights.
