KRUI music staff’s March picks!
Interview: Brendan Brown of Wheatus
KRUI’s Logan Melia talks with Brendan Brown of Wheatus discussing their historic gigs, the joy of live shows, and what’s next for the band
KRUI’s Logan Melia talks with Brendan Brown of Wheatus discussing their historic gigs, the joy of live shows, and what’s next for the band
With over three decades of calling hockey games under his belt, Jason Shaver is considered one of the most respected sports broadcasters in the American Hockey League. While his path to the Chicago Wolves was anything but conventional, he will never put a price tag on the journey.
A miraculous season for the Chicago Bears finally came to an end against the Rams, one game shy of the NFC championship. Instead of boos from the stadium, there was applause, and hope, for a team that exceeded all expectations.
Iowa’s 911 operators urge lawmakers to increase surcharge fees to cover rising costs.
The Cardiac Bears did it again. As they move onto round two of the playoffs, they send their rivals, the Green Bay Packers, back to the offseason training.
After discovering The Hold Steady at Riot Fest, Logan Melia sits down with Craig Finn to discuss his new solo record Always Been, the evolution of narrative songwriting, and finding meaning in modern American life. From faith and mental health to baseball heartbreak, the conversation spans far beyond music.
Our KRUI Staff recommends some of our favorite releases from October, 2025!
KRUI music staff’s March picks!
KRUI Music Staff’s picks for February.
Earl Sweatshirt – SICK! On the newest album from Earl Sweatshirt, the rapper continues his streak of thoughtful and melancholic bars–this time with a slightly more approachable selection of beats, supplied by the likes of The Alchemist and Black Noi$e. Avant jazz is still a key piece of the production, though some of the pianos here have a midi sheen to them, and some of the trap-influenced drum tracks will be familiar to fans of contemporary hip hop. One such track featuring this style of production is “2010”, with a bright, yet off-kilter synth loop. Here, as with many spots … Continued