An overtime thriller, a stadium on edge, and a Bears team pushed to its limit. From the moment the clock hit zero to the final snap in OT, this one had everything. And it might say more about this team than just a win.
Stockholm cloud rap sensation Bladee performed in Minneapolis for the first time ever on November 10th, 2025. During his set, he played many of his own beloved songs and collaborations he’s made with members of his rap collective, Drain Gang.
An uncommon, stress-free win for the Chicago Bears puts them back at the top of the NFC North. A rematch with their rival Packers awaits.
At When We Were Young 2025, fellow Chicago area natives Plain White T’s sat down with me as we discussed how the local scene has changed, their tour with We The Kings, and how Las Vegas scares us all the slightest bit. We started the conversation out by sharing a mutual love of Death Cab for Cutie:
What do you get when over 2000 kids fill the seats for a hockey game? Screaming, shrieking, and never ending energy.
The Bears hung tough. But in the end, it wasn’t enough to beat the rival Packers in Green Bay.
Read our take on Mogwai’s latest release, “Rave Tapes”
Check out our review of the latest Franz Ferdinand album, Right Thoughts Right Words Right Action.
In love with Best Coast or missing the Beach Boys? Check out Seattle’s surf rock group, La Luz.
“Give The People What They Want”, has more character and emotional value than ever before.
The album is the first release from UK artist and composer Mat Zo. Check out this review of a worthy addition to the canon of electronic music.
Take a look at an EP review of local Iowa City musician, Dana T.
Eric Intlekofer reviews the Brooklyn-based duo Mountains’ latest, sprawling drone effort, titled “Centralia.”
KRUI’s Erin Marshall saw Cuddle Magic & The Daredevil Christopher Wright play at the Mill recently. Read her thoughts on the groups’ performances and see her photos right here!
To call the End of Daze EP the “Only in Dreams Reject Club” would be unjust as some songs never make it on their intended album. But California’s Dum Dum Girls know how to make amazing EPs (He Gets Me High EP anyone?) and End of Daze is like He Gets Me High’s lo-fi art student little sister. Despite the beats in “Season in Hell” and “I Got Nothing” this is perhaps the most chill the Dum Dum Girls have ever been. Even its first single “Lord Knows” finds itself between stoner rock and ‘60s drum beats. But all indie … Continued
They. Are. Back. No three words remain truer for Sune Rose Wagner and Sharin Foo, the duo otherwise known as The Raveonettes who have melted our ears in the past with high frequency synthesizers and the icy coolness of Foo’s vocals. Whether they are a soundtrack to a chill autumn evening or a heavier rock sound assisting a spontaneous dance party with friends, The Raveonettes have never been disappointing in the 11 years of their career. But how does their latest release, Observator, rank against such legendary albums such as the ‘60s inspired “Back in Black” or the lyric-driven “In … Continued
