Father John Misty returns to Iowa tonight on October 1st at the Val Air Ballroom in Des Moines for the first time since performing at 80/35 festival in 2022, a show I was not only at, but also vaguely remember.
Last week, Chicago’s emo sweethearts Your Arms Are My Cocoon returned to Iowa City (again!), this time in the basement of someone’s house.
Iowa punks BOOTCAMP record release show exemplified the huge impact that even small music communities can bring.
Amidst 2025’s exciting alternative rock scene, Irish trio NewDad released their second studio album on September 19, Altar. Expanding on punk and soft rock elements from their first studio album Madra, the band also pulls from shoegaze with the explosive, distorted guitars and airy vocals that build the new record’s atmosphere.
Bluff Street, a new band from Cedar Falls is bringing their heartfelt indie rock and to Iowa City, only at the James this Saturday.
Iona Zajac made her way across the pond from Glasgow with The Pogues to celebrate the 40th anniversary of their record “Rum, Sodomy, and the Lash”. We discussed touring with this historic band, the best music coming out of Ireland, and her debut album “Bang” releasing this November.
Read about (part of) a grand finale to the 2018 Witching Hour Festival. Image via Witching Hour
Read about Kembrew McLeod, resident prankster of the University of Iowa, and the reading of his newest book, PRANKSTER, at Prairie Lights!
The Englert Theatre was packed last Monday night, February 25 at 7 PM. The crowd, filled with students and Iowa City citizens, was there to see one incredible woman: Ayana Mathis. Mathis, a graduate of the Iowa Writers’ Workshop, came back to Iowa City to read from her debut novel, The Twelve Tribes of Hattie. The novel’s recent acclaim is partially due to its acceptance in to Oprah’s book club. Following a wild applause, Ayana Mathis took the stage and read a short poem by Gwendolyn Brooks entitled “Kitchenette Building.” She then commented on the poem, noting that it questions whether … Continued
