Album Review

By Vaibhav Sutrave D’I ever tell you about the time I met Richard Lloyd? You know he’s in Rocket from the Tombs now. The one with Laughner in it – that became Dead Boys and Pere Ubu. No joke! They just released an album, too! It’s not that great. But the guys haven’t played together in 30 years – you could call it a demo. *(Actually I just realized they had this lineup back in 2003. So they’ve been playing-probably not constantly–for 8 years now. Anyway, at least this one’s better than “Rocket Redux.”) Anyway, I went over to his … Continued

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Disclaimer: This album review contains content unsuitable for minors, work situations, and the faint of heart. The opinions and views within this review belong solely to the author, and not KRUI or the University of Iowa. Read at your own discretion. By Vaibhav Sutrave I don’t buy escapism in music. I don’t buy escapism in anything. Ultimately, books, or philosophy, or physics, or comics, or food, or MUSIC MUST relate to and enrich REAL LIFE. To “make us drink more avidly of life,” like m’boy Hank Miller said. It needs some immediacy. But how to tell? Fortunately, I have devised … Continued

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By Alexa Squire In early fall 2009, Lady Gaga hadn’t released The Fame Monster yet, Katy Perry was only known for kissing a girl, and “chillwave” was a completely new word for a new genre of music. Washed Out and Toro y Moi, two of the most well-known chillwave artists, had just released Life of Leisure and Causers of This, and bloggers were using the term to describe their lo-fi, blippy, danceable beats that relied heavily on reverb and looping. When Alan Palomo (the man behind Neon Indian) released Psychic Chasms that winter, his songs fit the definition and it … Continued

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By L.C. Graf-Juarez If Zebrahead and Dethklok were to have a baby, it would be the punk garage rock band, Cerebral Ballzy. Bringing back the true meaning of punk, Cerebral Ballzy’s self-tilted debut album is all about rebellion and having fun. At times, they can be completely repetitive, especially when the same riff is used in “You’re Idle” and “Don’t Look My Way.” But, Cerebral is clearly looking for a good time. It truly takes a certain type of person to be able to listen to them. And Cerebral Ballzy is partially called “Ballzy” because they couldn’t care less about … Continued

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By Eric Intlekofer There is a quality in Portugal. The Man that all music lovers can admire, or at least respect, and that is their ability to put out a consistent record every year. With “In the Mountain In the Cloud,” the Alaska and Portland based band moved to a major label, many a music fan’s nightmare. This time around, however, that chance is not to be feared. Their style has not been compromised, in fact it’s been honed. Their sixth LP seems to be a culmination of the forward progress the band has been working on for the past … Continued

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By L.C. Graf-Juarez 8 EP’s and still kicking, Mogwai’s “Earth Division” is striking and magical just like everything else they’ve ever created (any surprise there?). Although a question needs to brought up when “Get to France” opens with its haunting piano. Just how much time did Mogwai spend playing Kingdom Hearts before recording? Not that this is at all a bad thing, just that the song is very much like the melody that would play somewhere between the Boss and (if you know anything about Kingdom Hearts) losing Kairi. The composer of the Kingdom Hearts scores, Yoko Shimomura is a … Continued

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By L.C. Graf-Juarez Chill Sunday afternoons, incense burning, music slow, maybe a cigarette or two—it’s all part of the mood that the band She Keeps Bees creates with their 7th released album, “Dig On” the third release to be self-recorded. “All or None/Dark Horse” opens with strong vocals from Jessica Larrabee, and a great drum beat played out by Andy LaPlant. Larrabee gets low and passionate, giving the song a soothing rhythm; LaPlant only compliments her vocal style with a simple pattern. Perhaps what is most attractive about the song is the pure easiness it possesses. It doesn’t have distractions—ridiculous … Continued

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By Max Johnson For fans of Iowa music, The Poison Control Center require no introduction. The Des Moines based group have released 3 full-lengths and a handful of EPs full of excited indie rock. Tomorrow, July 30th, their Never-Ending Tour will take a much-deserved break after two shows at The Vaudeville Mews. Let me cut to the chase — PCC’s newest album, Stranger Ballet, is my favorite album of 2011 (so far). The fingerprints of other excellent indie rockers are everywhere, but the band never lose themselves in their influences. It seems more like they’re honoring them. Imitation isn’t the … Continued

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By Max Johnson “Triple Trinities”, Mumford’s brand new album, is epic. The nine songs on the album converse with one another, all of them focused around the single theme of religion, looking for the soft spots to sink their teeth into, to maybe find some answers to all the questions circling above them like vultures. The characters in the songs – preachers, atheists, God Himself, and an Antichrist or two – are three-dimensional and compelling. You might not be able to finish listening to it all in one sitting, all the narrators are so frustratingly human. Obviously, this is not … Continued

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By Max Johnson Utopia Park is an electronic-punk band from Fairfield, Iowa. The band is composed of Dominic and Philip Rabalais, who are the two most sincere and genuine human beings on the face of the Earth. There. That should be enough for you to listen to them. But if you aren’t convinced… The songs on Utopia Park’s self-titled EP build toward epiphanies, but at the same time, they work as a regression from, not a progression towards, complexity. Vocals go from simply shouted to non-verbal screaming. Instruments pile on top of each other until you’re convinced you heard a … Continued

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