By Gabrielle Pawlikowski Say what you want about the Heartless Bastards, but don’t deny Erika Wennerstrom’s vocal talent. As the only consistent member in the band’s ever-changing lineup, Erika’s masterful singing never fails to enrapture. And don’t let the name of the band fool you – these bastards are in fact full of heart. The more »
By Shari Jaffri After many hiatuses, members leaving, calling it quits several times, several triumphant albums, solo explorations (or at least for frontman Tim Kasher, a.k.a.The Good Life) and the likes, it can’t be denied that Cursive has been through a harrowing journey since their first debut in 1995. With their managing to stay intact more »
By Mike Saponaro The changing landscape of the Midwest and its loss of the yeoman farmer carries somber tones that resonate well with Iowa natives The Pines. Band members David Huckfelt and Benson Ramsey are well-versed in traditional music, and their newest album Dark So Gold incorporates contemporary indie-folk instrumentals and stark-country vocals. While not more »
By Shari Jaffri Mauro Remiddi, or better known as his moniker Porcelain Raft, is a multi-talented man. With an impressive repertoire right down his belt having traveled to many lurks of the world (the dashing Italian lad has worked off Broadway, joined part of a traveling circus in Germany and was part of a choir more »
KRUI staffer Keith Evanson reviews “Some Nights”, the latest album from Fun.
By Gabrielle Pawlikowski A Place To Bury Strangers’ eighth EP, Onwards To The Wall, is a fifteen minute maelstrom of industrial noise. Against a percussive backdrop of repetitive pummeling, distorted guitars ferociously wail and Oliver Ackermann croons of lost love in a manner so bleak it is almost deadpan. The result: a visceral unleashing of more »
By Keith Evanson If you can make it in New York, you can make it anywhere. Lately, this has been the case in the indie world. Musical acts Rubblebucket, Cults, and Battles can all testify to this statement, as they have gone from dominating the New York City music scene to now conquering the rest more »
By Keith Evanson Video Games. This one single song has started a whirlwind of buzz, praise, criticism, and controversy within the music blogosphere concerning an artist that, prior to its release, flew under the radar. The song itself is beautiful sounding to me—elegant harps and strings surrounded by an angelic vocal, and a fantastic chorus more »
By Keith Evanson Straight outta Des Moines, Iowa, Bright Giant exists to fill your ears with fuzzy distortion and crunchy guitar licks. Front man Josh Davis, who founded The Josh Davis Band, an alt-country band active in the early 2000s, has now broken out of his country shell (mostly), and created a new monster: Bright more »
By Keith Evanson Methamphetamine, heartbreak, and crime. The second LP from the country/folk/southern rock-inspired band, The Gimps, invites you to the depressing world of the rural south. Band members Johnny Nova and Chris Matule don’t even live in the same region of the U.S (Nova lives in Atlanta, Matule lives in San Francisco.) They record more »