Logan Melia discusses his connection with the Grateful Dead, and what made them so impactful on someone born forty years after their inception
For nine days, an unlikely cast of Hawkeyes made the world believe. They made themselves believe. The team of dreamers, and an unforgettable run in March.
This is not the way it was supposed to go. Not with this team. But such is life. Grief and glee. The dichotomy of college sports.
Jason Isbell returned to Hancher Auditorium on March 4th with a 22-song set spanning his sweeping discography with The 400 Unit, Drive-By Truckers, and his solo career
March is for the dreamers. For the playmakers. For Alvaro Folgueiras. For his family.
Evan Honer brings his It’s A Long Road Tour to The Vic Theatre in Chicago with support form Michal Leah on March 20th, 2026
Gabe’s in Iowa City hosts the third edition of Illiterati Fest, which will raise money for the local charity organization United Action For Youth. The event has six bands playing, all from a wide range of sound.
On their latest release, Vampire Weekend manages to reach new musical highs and make a case for album of the year with their fifth record “Only God Was Above Us”.
Fête de la Musique is an annual music festival celebrated in 120 countries to commemorate World Music Day. Manila in the Philippines was one of the cities that celebrated in 2024. It’s free music for everyone and anyone.
All time Kim Gordon fan, Anika Maculangan, reviews “The Collection” album freshly released under a light of revolution.
On “pack your bags the sun is growing” bedbug shows the remanence of the past linger with a person for eternity. Dylan Gamez Citron gives insight into their new album, along with their thoughts and feelings behind it.
Frequently, the most earnest and sentimental works of music and art can be found milling around the bottom of a list. A small point of data. A needle in a haystack.
For the International Music Spotlight’s first edition, KRUI provides a starter guide to Asian-based shoegaze bands.
Model/Actriz and KL!NG bring down the house at Gabe’s in Iowa City, in a phenomenal rocker of a performance, Hancher Auditorium’s Infinite Dream Festival.
Tennis headlines a show with Sam Evian for the Englert Theatre’s Track Zero series, bringing in breezy, light-rock tonalities alongside psychedelic pop and hypnagogic soul. Upon the night’s show, both acts exemplify what is evocative of what is carefree and serenely casual.
An interview with Alaina Moore of the pop band Tennis, ahead of their performance as a part of the Track Zero concert series.
