After hosting multiple transphobic speakers on campus, we at KRUI look into the YAF, it’s relationship to the Iowa Government, and its influence over the University of Iowa.
Minneapolis based artist Zora, along with Iowa City locals YXNG RASCAL and Sarahann Kolder, close out Track Zero’s inaugural series to a warm, thunderous atmosphere.
The SAG-AFTRA strike comes to an end after 118 days upon a tentative agreement negotiated with the AMPTP, resuming a majority of film production operations.
For the International Music Spotlight’s first edition, KRUI provides a starter guide to Asian-based shoegaze bands.
Martin Scorsese introduces “Killers of the Flower Moon” to his filmography this year. A true story about love, greed, and the exploitation of the Osage community.
Oneohtrix Point Never uploaded to the sunsetcorp YouTube channel, famous for hosting Eccojams, some of the first vaporwave songs. It has people believing more may release soon, but there seem to be alternate motives.
Elizabeth Moen is sure to give a soulful show at this year’s Mission Creek. (Image via elizabethmoen.com)
Vansire co-founder speaks on New EP and being a musician in 2020. An interview conducted by Spencer Yost-Wolff.
Grace Waccholz reviews the surprisingly muscular Summer Salt concert at Gabe’s on 3/9.
Five years after Tame Impala released Currents, The Slow Rush is a disappointing drag, functioning as atmospheric background music.
Grace reviews the underappreciated album by Djo, pseudonym of Joe Keery.
Matt Maltese’s new album Krystal provides just the right ounce of cynical humor hidden within the lush DIY production.
The homecoming concert at the Pentacrest on Friday, October 18th featured alternative rock groups The Greeting Committee and Bad Suns. Featured image via substreammagazine.com
Dayglow’s Fuzzybrain is a strong debut that shows an upcoming artist’s best side.
Lush, varied, and classic Omar Apollo, time spent listening to the artist’s sophomore EP is time well spent (Image via The Partae)
Wasteland, Baby! is full of references and asides to pop culture, politics and the spirit of survival. However you may choose to embrace or reject the void, there’s a track to speak to the contradictions of fear and hope, love and loneliness, anger and joy that buoy us from day to day. (Image via Pitchfork)
