In the crowded gallery of rising bands, few make as bold a splash as Iowa’s own prog pop-punks Spin Art, performing live at Lefty’s in Des Moines this weekend.
San Diego’s iconic blackgaze band, Deafheaven will be performing tonight at the Capitol Theater as part of their tour following the release of their most recent album, Lonely People With Power.
On Saturday October 4th, World’s Worst took the stage at Gabe’s. The band took some time after sound check to chat with me, discussing their latest record “American Muscle”, how they got started playing music, and The Real Housewives of SLC.
Jefferson Starship landed in Iowa City’s Englert Theater on Sunday the 21st of September for a spectacular show. As the show began, the projector took us through time, introducing the band’s long history and members that shaped their legacy, with pictures and videos eliciting our minds’ imagination to the past lives of the other 99% of the room. It. Was. AWESOME.
This Saturday, October 4th, Louisville rock group White Reaper will be performing with Lip Critic and World’s Worst at Gabe’s, presented by the Englert Theater’s Track Zero series. This show will be one of the band’s first since the release of their 5th studio album, Only Slightly Empty.
Father John Misty returns to Iowa tonight on October 1st at the Val Air Ballroom in Des Moines for the first time since performing at 80/35 festival in 2022, a show I was not only at, but also vaguely remember.
Written contributions by Jaden Amjadi, Derek Tate, and Jake Bisson Jeff Rosenstock – N O D R E A M Throughout his career, though especially the last decade of it, Jeff Rosenstock has done more than possibly any artist to remove the stigma from pop-punk. His earworm melodies, impassioned shouts, and nervous energy consistently produce cathartic listening experiences. His newest effort, the surprise-release N O D R E A M, is no exception to this rule. Acting as a soundtrack to yet another anxious breakdown, songs respond to perceived personal inadequacies (“Old Crap”, “Beauty of Breathing”) and political helplessness (“Scram!”, “N O D R E A M”). While many tracks aren’t more than four minutes, most have a tremendous sense of pacing and dynamism, never wearing out a melodic or sonic idea before moving onto the next. The title track’s different musical phases cover a … Continued
