I came upon this artist while casually scrolling through my Tumblr feed one day. My dashboard is mostly filled with images like this: 

Or this:

Or this.
Generally, I see flowery art and people of color laughing about their frustrating experiences with white people. However, recently, I saw art that differed from the usual impressionism and abstraction that fills my Tumblr feed. I saw art with which I identified, and art that resonated with issues I face as a South Asian woman in America.

Ayqa Khan, a young, Pakistani-American woman living in New York, creates digital art with subjects who look like her, have similar interests, and defy conventional standards of beauty.

She includes women who have natural body hair, which subverts the regular expectations for women in many parts of the world, who shave their legs, armpits, pubic hair, arms and facial hair. She incorporates aspects of South Asian culture like the mango juice in the picture to the left, and patterns from the region on the skateboard. The image of Betty Boop with darker skin, more body hair and South Asian-style earrings shows a class of cultures that immigrants experience in this country.

My favorite aspects of this piece include the photo of Angela Davis on the wall and the Audre Lorde book sitting on the table. Black authors like these became extremely influential in my decolonization process, and I really appreciate seeing images of other South Asian women reading and valuing these activists.

Ayqa Khan also recognizes the general silence surrounding sexuality and sexual expression in the South Asian community. Most of my friends and I grew up treating sex as a taboo subject never to be discussed, even during our parents’ absence.

However, this piece to the right includes a dildo covered in coconut oil which normalizes masturbation and sexual activity for brown people, especially brown women. The handcuffs hanging on the coat rack also imply some kinky sexual habits, too. This piece includes some powerful juxtapositions of perceived traditional artifacts (e.g. coconut oil, cultural clothing) with sexualized objects, which challenges the hegemony of obligatory chastity.

While the first piece facilitated identification based on feminist politic, this second artwork displays openness in regards to sexuality and her ability to move through these cultural spaces fluidly. Both pieces include women with natural body hair.

Ayqa Khan’s electronic art accomplishes many goals: combining cultural spaces, subverting power, showcasing South Asian female sexuality, all while normalizing body hair. Her background as a Pakistani-American woman provides her with a broad range of experiences which contribute to her powerful, moving art. To learn more about her life, check out these interviews and follow her on Tumblr here.

The idea of “decolonizing our minds” is used in the writings of the author, feminist and social activist Bell Hooks. She encourages us to critically examine every thought and action, free ourselves from the coercive ideologies, and overcome the impacts of structural oppression. This monthly column will analyze spaces and times where and when we can pause and make strides in this arduous process, and also highlight figures who are helping us to decolonize ourselves.

The post Decolonize Your Mind: The Art of Ayqa Khan appeared first on KRUI Radio.

Disclaimer: Article contains content that may be offensive or unsuitable for minors. 

This week’s frustrations come to you in exhaustion, confusion, disbelief, and as always, disappointment (accurately displayed by Chris Tucker).

I had high hopes for the new semester. I felt reinvigorated with a motivation to excel, and prayed for good professors in each of my classes. So far, I have faced many similar issues I explained in previous pieces about ignorant people and mildly racist professors. Strap in, everyone.

I’m taking a class about literature written by women all over the world, and I expected my peers and teacher to have base knowledge about respecting nonwhite people. At the very least, you’d think the people taking this class would know what NOT to say. Once again, I clearly overestimated the capacity that white people have to NOT be racist.

Let’s start with my professor.

She asked us to watch a documentary called “Drowned Out” about lower class people displaced by a dam in India, like tribal people and the caste of Dalit people. She posted a short history of India to provide some background information on the story. She pointed at me and said, “Tanvi can correct us if we make any mistakes.”

Oh of course! She MUST be referring to that gene in my DNA which codes for COMPLETE knowledge of the ENTIRE history of India! Every Indian is born with this ability, enabling them to serve as walking encyclopedias for whites.

I grew up in suburban Iowa. I’ve had relatively the same education as all the other people in that class. If white kids don’t know about Indian history, neither do I. That’s a failure from the American education system, not Indian American people.

I realize my professor didn’t intend to be racist (see definition of microaggression), but truthfully she made me feel like I had failed. Sadly, I don’t know that much about the history of my country, and it doesn’t help when she arbitrarily expects me, out of all of my classmates, to have this plethora of knowledge that I lack.

Okay, let’s move on to my peers. 

After watching the documentary, my class discussed various aspects of the movie like stylistic choices, and intended audience. One girl was grateful for the subtitles when people spoke Hindi and Gujarati, but she wished the movie included subtitles when Indian people spoke English because “they don’t speak the same English I do.”

First of all, she’s so fucking self-absorbed to assume that all media is created for HER, WHITE AMERICAN consumption. All spaces belong to her, and all forms of art should be marketed and directed towards people like her.

Second of all, IT’S A MOVIE. Rewind that shit. Listen to it again. I promise, it’s not that hard. Maybe you’re just not used to listening to accents. That’s fine! BUT YOU HAVE TO TRY.

Thirdly, “the English I speak?” Are you kidding me? British people colonized India, said a bunch of horrible shit about its people, imposed upon them western culture, exploited the country’s resources and left people in destitute conditions. White people FORCED Indians into experiencing and appreciating Western culture. Don’t try to separate yourself from the horrors your ancestors committed in India through accents and dialectical discrepancies. Also, that’s just an ignorant, condescending comment in general.

The most baffling comment came from another white girl who theorized the purpose of making a documentary about people living in poverty in India. She thought the British-made documentary was created in order to “humanize” them.

Actually, Indian people of all classes were human before white minds acknowledged their issues, white hands created this movie, and white eyes saw this movie. 

Her comment illustrates this neo-colonialist perspective that white people must validate nonwhite people; otherwise, they’re not real. They’re literally not-human.

These two girls probably didn’t intend to degrade Indian people like that, but that’s the scary part. People say denigrating things like this every day and have no idea the violence they inflict on the targeted group.

If you don’t believe this happens often, consider the fact that I write 500+ words every month on my recent frustrations. This shit is real.

But even if white readers don’t believe me, I don’t need them to validate my struggles. I don’t need affirmation from them in order to concretize my emotions or confirm that they’re real. However, white people must acknowledge how their words and actions affect the people around them. You have to recognize the consequences of your discourse.

Once you understand that, I don’t know HOW you’ll justify to yourself that saying racist things is okay.

Decolonize your mind by respecting nonwhite people. I can’t believe I even have to say that, but this column is evidence that I do.

The idea of “decolonizing our minds” comes from writings of the author, feminist and social activist bell hooks. She encourages us to critically examine every thought and action, free ourselves from the coercive ideologies, and overcome the impacts of structural oppression. This bimonthly column will analyze spaces and times where and when we can pause and make strides in this arduous process, and also highlight figures who are helping us to decolonize ourselves.

The post Decolonize Your Mind: Microaggression-mania! appeared first on KRUI Radio.

For a little while, I felt surprised after reading the (very pale) list of Oscar nominees.

I had watched Straight Outta Compton and heard great things about colored actors in Creed. I read about Idris Elba in Beasts of No Nation, and loved watching Oscar Isaac in Ex Machina. So many actors of color had great performances this year, and none of them received any recognition from the Academy.

Straight Outta Compton was nominated for one award: Best Screenplay. Two white people write the screenplay of a movie about gangster rap and they’re the only ones who are acknowledged for their work. Sylvester Stallone, one of the only white main characters was nominated for his role in Creed despite incredible performances by Michael B. Jordan and Tessa Thompson.

This is not a new problem.

The Academy has an insidious history of only praising movies cast, produced, directed, written, adapted, and performed by white people. Each year they face criticism for their homogeneous population of nominees when numerous actors of color deserved recognition for their performances, and each year we hear the same story.

In 2014, 12 Years a Slave received three Oscars, and seemingly, the Academy feels that is enough.

The 94% white, 76% male group of people seems to have decided that their decisions in 2014 will carry them for a few years until they’ll be obligated to award nonwhite actors, producers, directors, and writers for their work again.

I couldn’t find a picture of the Academy, but here’s a picture of a rally for Donald Trump. I’m sure the images are basically the same.

The whiteness… it’s almost blinding…

Many celebrities of color have spoken out about the pattern of exclusion and reacted differently. Spike Lee and Jada Pinkett Smith both plan to skip attending and watching the event. Chris Rock, the host of the 2016 Oscars, dubbed the night “The White BET Awards.” Idris Elba posed critical questions in an interview, asking viewers to analyze the casting of women, actors of color, LGBT+ people and disabled people.

These responses are all valid and important, and encourage us to consider how we consume media and what we choose to watch, listen to, read, experience. Many people choose to watch movies based on the Academy’s recommendation, but the overwhelmingly white and male board may enjoy different media than a queer woman of color, or a trans man with a disability. If the Academy isn’t willing to acknowledge underrepresented artists in film-making, we cannot rely on the Oscars to provide an exhaustive list of movies worth watching.

So what if we just stopped acknowledging them?

What if we sought out other movies to watch that include all kinds of people?

Various Internet sources have compiled lengthy lists of LGBT+ films, movies by and about women, movies directed by non-western women, films about disabilities, and so many more. A quick Google search will yield innumerable results of little-known movies that address all sorts of issues.

I’ve recently began this habit and I have already watched incredible movies. I’ve seen Mississippi Masala, which tackles anti-black attitudes among South Asian culture and more, Pariah, which portrays a young queer woman of color navigating her sexuality and tradition, and The Black Power Mixtape, which documents the evolution of the Black Power Movement.

Queen, SLC Punk!, Dear White People, and Gulaab Gang portray beautiful stories of non-heteronormative people, too.

Assume an active role in your media consumption. Take every opportunity to decolonize your mind by valuing nonwhite, non-heterosexual, non-western art.

The idea of “decolonizing our minds” comes from writings of the author, feminist and social activist bell hooks. She encourages us to critically examine every thought and action, free ourselves from the coercive ideologies, and overcome the impacts of structural oppression. This bimonthly column will analyze spaces and times where and when we can pause and make strides in this arduous process, and also highlight figures who are helping us to decolonize ourselves.

The post Decolonize Your Mind: #Oscarssowhite appeared first on KRUI Radio.