1. Exploding In Sound Records

By John Glab

Since 2011, Exploding In Sound records has been putting out releases from many of the best indie rock bands in the Northeastern United States. The label was created by Dan Goldin and Dave Spak who wanted to support some of the great acts that they were seeing at shows around the area. As a label, EIS helped spur the eclectic indie scenes in cities like Boston, New York City, and Philadelphia, at venues like Great Scott and Shea Stadium. Many acclaimed acts have been on the label, like Pile, Ovlov, Speedy Ortiz, Disco Doom and LVL UP. All these bands interacted, helped, and collaborated with one another, and EIS acted as a platform for them to do so and grow. 

Exploding In Sound is still prolific in their work and haven’t slowed down in the decade plus they’ve been active, even as a smaller indie label. Its reach and influence has continued to expand, bringing in more artists, and becoming much loved by many all over the world. Along with many of the artists that have been around since the beginning, artists like Mandy, Jobber, Sour Widows, and Prewn have been continuing the label’s excellence.  

Here’s how Dan Goldin, who still runs the label, summarized Exploding In Sound Records to KRUI: 

“For the past twelve years Exploding In Sound Records has been chugging along, doing our best to release music that we think is interesting, and music that adds new ideas to familiar sounds. We’ve been lucky to work with so many phenomenal artists that have used music as an outlet for their creativity out of necessity as opposed to chasing fame and fortune. EIS has always had an element of community, a kinship that runs beyond the label to both our artists and fans. We put our heart into it, no matter how unlikely the record, and I think it shows in the music we’ve released.” 

Exploding In Sound is one of the most well represented labels in the KRUI library. Tuning into the broadcast at anytime, you’ll likely hear a track from something that the label has put out.

Starter Pack: Tru by Ovlov – Lucky Leaves by Krill – All Aboard by Washer – Hell in a Cell by Jobber – Crucial by Gnarwhal – Voyage Out by Floatie

2. Asian Man Records

By Casper Bakker

“We have no phone line, no fax machine, and just recently purchased a second computer. Depending on how you look at life, this is either a good thing or a bad thing. For me, it’s the only thing (or in other words: ‘I LIKE BEING A LITTLE LABEL’). This is how the label will remain. ”

Asian Man records is the brainchild of activist, musician, and active Bay Area DIY scene member Mike Park. Created in 1989 to release Park’s and his friends’ music, he began to package, ship, and promote records from his parents basement, and the label slowly began to grow. Now boasting over 100 bands, from the bombastic and berating, to the grimy and gut wrenching, the label has it all. Its still all lovingly hand packaged from Park’s childhood home in Monte Sereno.

Starter Pack: SRAMBLES by Bomb the Music Industry! – Of All the Things I’ll Soon Grow Tired by Joyce Manor – People Who Can Eat People Are the Luckiest People in the World by AJJ – Bruce Lee Band by Bruce Lee Band – NEU by POLYSICS

3. Glitterbox Recordings

By Glenn Houlihan

Established in 2014 by Simon Dunmore, the founder of legendary UK house label Defected Records, Glitterbox is widely recognized as the home of 21st century disco. The label is best known for its exuberant club nights, which feature iconic nu-disco, house DJs, drag queens, acrobats, and go-go dancers. These parties, which started on the Spanish island of Ibiza and have since spread to cities such as London, Sydney, and New York, are designed to unite all ages, persuasions, and walks of life on the dancefloor.

This emphatic embrace of disco’s queer roots is reflected in the music released on Glitterbox Recordings, which often carries a euphoric, emancipatory, theme. Fiorious’ 2021 collaboration with Dimitri From Paris, Music Saved My Life, celebrates music’s power to unify, while The Shapeshifters’ 2020 song “Finally Ready” features inspired vocals from American actor and singer Billy Porter. It’s a powerful declaration of love and community. Glitterbox Radio, a weekly show hosted by the label’s director of music Melvo Baptiste, reminds listeners of disco’s vibrant past while underlining its flourishing presence today. As Baptiste declares, “Glitterbox is not just a label; it’s a legacy.” 

Starter pack: Music Saved My Life by Fiorious and Dimitri From Paris – Finally Ready by The Shapeshifters and Billy Porter – Groovejet (If This Ain’t Love) by Spiller and Sophie Ellis-Bextor (Harvey Sutherland Extended Remix), – Rock The Mic by Mousse T. featuring TAZ & Inaya Day

4. My Pet Flamingo

By John Glab

Cousins Jay Sabourin and Enzo Van Baelen originally started out making synthwave music. They created the label My Pet Flamingo in the late 2010’s to explore what they could do in the vaporwave genre, working first with the artist waterfront dining. Since then, the label has put out over a hundred records. Most of the new records released on the label are from smaller artists located all around the world. A label operating mostly on Bandcamp, it collaborates with them and highlights releases they don’t want to go unnoticed. 

Much of the label’s ethos relies on not letting music be lost or forgotten. Throughout the labels catalogue are many rereleases of classic vaporwave albums from artists like Saint Pepsi or Dan Mason. One of the main goals of My Pet Flamingo is to give albums that in the past that have only been put out on digital platforms releases on physical media like vinyl or cassettes. It’s a way to semi-permanently archive these vaporwave records. When I talked with Van Baelen, he said that, “We’ve always wanted to archive this music. One day the internet will be full of dead links, where important cultural artifacts used to exist. It seems a bit counter-intuitive to think this way, but we wanted to archive the most important albums on vinyl and cassette, or MiniDisc.”  

Connecting vaporwave from its online presence to a real-world presence is something My Pet Flamingo is looking to achieve. In October of 2023, they hosted the first Flamingo Fest which brought people together in a physical space to enjoy vaporwave music with one another. Sabourin describes how this, along with helping vaporwave artists make music as a career, has built a strong community for people in the scene to rely on. The connection between online and physical interactions will help keep vaporwave alive and prospering long into the future. 

Starter Pack: Groot in België by Timeshare’94 – Late Night Delight by Luxury Elite and Saint Pepsi (Reissue) – Love by BarbWalters – 喚起 by g h 0 s t – The Great Escape by slowerpace 音楽 – Digital Despair by Tupperware

5. 100% Electronica

By Evan Raefield

Perhaps the leading vaporwave label in terms of mainstream awareness, 100% Electronica was founded in 2015 by genre pioneer George Clanton. It has since amassed a plethora of giants within and adjacent to the vaporwave genre. Whereas labels such as My Pet Flamingo and Geometric Lullaby (as featured in the previous Label Lookout) opt for a largely online-based approach, giving international and occasionally anonymous artists a chance to release their work, 100% Electronica is more traditional in the sense that it holds a set roster of generally recognizable names. The label puts their full support behind each one. It also goes as far as to host festivals in its name with Electronicon.

Over time, following the meteoric rise of such artists as Neggy Gemmy and Windows 96, as well as the steady incline in recognition for such longtime cult acts such as death’s dynamic shroud, Equip, and Clanton himself, 100% Electronica has paved the way for a set of exciting new artists and electronica as a whole. 

Starter pack: Ooh Rap I Yah by George Clanton – CBD Reiki Moonbeam by Neggy Gemmy – One Hundred Mornings by Windows 96 – Faith in Persona by death’s dynamic shroud – I Dreamed of a Palace in the Sky by Equip

6. Voam

By Andrés Mora Mata

UK-based artists Pariah and Blawan have been at the forefront of sound design in electronic music for over a decade. The British duo have been able to push the envelope within their own projects while exploring the forefront of sound design in collaboration through Karenn on the electronic music front, and Persher on the hardcore music front. It was only sensical that they were to look for the same ethos in other artists. That’s what I think about Voam, a product of a career-long collaboration, that actively looks to set a new standard in sound design with each release.

Last year, three EPs came from the label: Karenn’s Everything Is Curly, which offers your often-heard 4-on-the-floor techno, along with sparks and crashes that aren’t often associated with the dance floor. Verraco’s Escándaloo followed with exceptional meddling of sounds that take inspiration from Latin music, UK bass, and techno. The EP includes my favorite track of 2023. The label finalized the year with Peder Mannerfelt’s The Benefits of Living in a Hole, which uses esoteric sounds with unlikely chord arrangements to build tension throughout the track. I wouldn’t be surprised if Voam, as a label and collaboration project, continues building from its strong and well-established foundation in 2024.

Starter pack: Escándaloo by Verraco – Caterpillar by Pariah – Music Sounds Better With Shoe by Karenn – Honey Badger by Rhyw – The Benefits of Living in a Hole by Peter Mannerfelt

The post Label Lookout – Spring ’24 appeared first on KRUI Radio.

1. deadAir Records

By Evan Raefield

Boasting a small but elite roster, including the likes of Jane Remover, Quinn, Quannnic, Dazegxd, and Quadeca, deadAir has built up a lineup of some of the most promising artists from the digital underground of the past few years, and helped propel them to immediate success. Each artist brings creative sounds to the table, whether it be Jane’s terminally online pop, Quinn’s cloud trap-soul fusion, Dazegxd’s redefinition of drum ‘n bass in the modern meta, Quannnic’s bit-crushed guitars, or Quadeca with one of the most creative electroacoustic albums of the recent past, everyone on this label has something to offer, and I cannot recommend exploring through its catalogue enough.

Starter pack: kenopsia by Quannnic, Frailty by Jane Remover, Girls Love Jungle by gum.mp3 and Dazegxd, Self-Titled by Quinn, and I Didn’t Mean to Haunt You by Quadeca

2. Saddle Creek

By Evan Raefield

Established in 1993 as a largely regional record label to the indie rock scene in Nebraska lead by the band Bright Eyes, the following decades saw a slow but steady expansion both geographically and sonically. The label today hosts multiple heavy hitters both in and outside the current indie music scene, including Big Thief, Hop Along, and Land of Talk, as well as staying true to its roots with several homegrown Nebraskan acts from the label’s inception like The Faint, and Cursive. Most excitingly, they have a strong roster of young artists they’ve picked up in recent years who keep the record’s roster healthy and robust. They are always diversifying their sound, and keeping the label as a whole on the cutting edge of the modern indie rock scene.

Starter pack: Girl with Fish by Feeble Little Horse, All of This Will End by Indigo de Souza, Nicks and Grazes by Palm, The Land, the Sea, the Sky by Black Belt Eagle Scout

3. Numero Group

By Evan Raefield

Unlike the others on this list, Numero is different in that they solely focused on reissues and archival releases. They find forgotten gems of the past that are rendered inaccessible due to a lack of attention or distribution in their time, and reissue them and allowing them to be given the listens and love they so much deserve. Recently, they are probably best known for the archival work they did with Duster in reissuing their debut album Stratosphere, which was high in demand as Duster’s discography and the slowcore sound were rediscovered and thrust into the current music sphere. Their selection is quite eclectic, featuring everything from lost discographies of emo acts to the musical stylings of regional soul artists. Dive in and you’re bound to find something to your liking.

Starter pack: The Lane of Time and the Plane of Now by Shira Small, Giving Birth to Thunder by Indian Summer, The Black Moon by Vallium Aggelain, Magnetic Eyes by Jeff Phelps

4. Backwoodz Studioz

By Evan Raefield

Founded in earnest by Billy Woods as an independent means to release his debut album, Backwoodz has transformed from a one-man show to a powerhouse in the field of underground abstract hip hop. If you are even remotely tuned in to the left field of hip hop, chances are you’ve heard something from Woods and the incredible slew of albums he’s put out over the past few years. If not, please look into it! While Billy remains the label’s founder and main namesake, save for ELUCID, the other half of their duo Armand Hammer, Backwoodz has quietly amassed a platoon of equally forward-thinking artists.

Starter pack: Maps by billy woods and Kenny Segal, True Sky by AKAI SOLO and Navy Blue, Go Climb a Tree by Hajino and Duncecap, I Told Bessie by ELUCID, Metal Lung by ShrapKnel

5. Dismiss Yourself

By Evan Raefield

First and foremost an internet-based label established in 2020, Dismiss Yourself’s roster is incredibly diverse in its array of artists, from their home countries, to their sounds. The only uniting characteristic of music under this label tends to be the electronic composition, otherwise, it has huge variety. What started as a niche label for largely cloud rap and hex-d has expanded dramatically to house gems from all manner of genres. From hardstyle, to drum ‘n bass, to house, one can only hope that Dismiss Yourself and labels like it continue to thrive, as the population of artists online only increases and the demand for their distribution grows.

Starter pack: bootleg(+) by Isyti, Miracle in Transit by Naked Flames, Self-Titled by Your Arms Are My Cocoon, Hope Left Me by Astrophysics

6. Geometric Lullaby

By Evan Raefield

Another largely online label, Geometric Lullaby has played an enormous role in championing the vaporwave scene in modern music. Beginning in 2017, the label has amassed a truly astounding catalog of artists and releases, showcasing some of the best that the vaporwave and dark ambient scenes have to offer from all over the world.

Starter pack: 夢の砂漠 by desert sand feels warm at night, (life cycle) – 生命週期 by b e g o t t e n 自杀, TOWERS by Towers, CLASSROOM SEXXTAPE by death’s dynamic shroud, and 星間性交 by t e l e p a t h テレパシー能力者

7. Longinus Recordings

By Evan Raefield

Another new label bursting onto the scene with Parannoul’s breakout album To See the Next Part of the Dream, Longinus boasts one of the most exciting lineups of new artists you will find today. Sonically the label is focused more or less around the fifth-wave emo movement, especially with respect to the more shoegaze like elements found throughout the discographies of acts like Parannoul, Asian Glow, Brokenteeth, and sonhos tomam conta. However, more recent additions to the label have broadened the sound and introduced fans to new facets of the emo movement as it burgeons. With Della Zyr taking a more dream pop approach to crafting her sonic monoliths, to Xinlisupreme crafting harsh yet incredibly sugary noise rock tunes.

Starter pack: I Am Not Shinzo Abe by Xinlisupreme, Nebulous You by Della Zyr, Cull Ficle by Asian Glow, Hypnagogia by sonhos tomam conta

8. Hausu Mountain Records

By Anika Maculangan

The record label Hausu Mountain takes referential homage to Obayashi’s “House” (1977) and Jodorowsky’s “The Holy Mountain” (1973). Co-nurtured in the locus of Chicago, Illinois in 2012 by Northwestern University sprung Doug Kaplan and Max Allison, Hausu Mountain simultaneously pays tribute to the two fundamentally eccentric cult-classic films which beckons the label’s esoteric feel for mood and tonality. A sundry of innovatively avant-garde artists, the label features the likes of Eartheater, Fire-Toolz, Prolaps, Pulse Emitter, Nonlocal Forecast, and RXM Reality.

A main range that highlights electronically sourced experimental rock and metal music, actively pushing for the proliferation of alternatively off-the-wall and recondite music. Not only does the label emphasize and embrace abstruse and cryptic audio sound, but it also accepts aspects of what is orphic and occult. It surrounds such phenomena, like weird-core and dream-core, and its adjacent surrealism and absurdism. As one comes to consider Hausu Mountain, one cannot deny them for their prismatic, kitsch, and camp cosmos of futuristically bohemian artists.

Starter Pack: Perpetual Morphosis by Dustin Wong, Additional Kids by Wobbly, 192 by Erica Eso, BLACK BROWN GREY GREEN by Norman W. Long, Modern Drummer by Tiger Village

The post Label Lookout – Fall ’23 appeared first on KRUI Radio.