1.) Piece Of Your Heart

“Piece Of Your Heart” is the first single that MP dropped in anticipation for this album, and I gotta say that I love it. As I mentioned before, I wasn’t the hugest fan of their last two albums, but this song actually has me looking forward to their new album. It feels reminiscent of early Mayday, which as you’ll be able to tell soon, is my favorite era of MP (thus far). The lyricism is similar to their “A Lesson in Romantics” days, something I didn’t know I wanted to hear again. The instrumentation has been cleaned up since their last album (which IMO was a failed attempt at trying to “get back to the roots” of pop punk) and from what I’ve heard of the new album, it sounds like it will flow smoothly.

2.) I Swear This Time I Mean It

If there’s one thing that MP is really good at, it’s sappy ballads. This song, from their sophomore album “Anywhere But Here,” features an acoustic guitar paired with soft vocals from lead singer Derek Sanders. The tempo is pretty slow, almost as if Sanders is singing a lullaby. The song slowly builds, the music crescendoing from the slow tempo to fit smoothly with his gentle voice. Tbh, I could totally listen to this on repeat until I fall asleep. His voice is so soothing.

3.) Kids In Love

“Kids In Love” is another track from their sophomore album, and it’s also the first song I ever heard by the band; I was in 7th grade and thought that I was so in love with the guy I dated that year *cringe*. For as cringey as that is, it felt so applicable at the time – “We were just kids in love / the summer was full of mistakes we wouldn’t learn from.” Despite the memories of my first puppy love, this song feels timeless to me. The instrumentation stays interesting during the entirety of the song, and the lyricism doesn’t feel like it was directed at 13 year olds.

4.) When I Get Home You’re So Dead

This song hails off of their first and most celebrated album, “A Lesson In Romantics.” At the time, Derek Sanders was a co-vocalist with Jason Lancaster, who ended up leaving the band and joining Go Radio (before they broke up and he went solo). This break up song is so 2007 – not sappy and sad, but savage AF. The lyrics basically allude to the fact that the girl is a cheating whore and she won’t ever change. One thing I love about the lyrics is that it doesn’t sound cheesy AF, like some songs I’ve heard calling out ex-girlfriends for being whores. Instrumentally, the guitars sound angry, which helps the direction of this song channel the angsty side of pop punk.

5.) Three Cheers for Five Years

Eeeeeek, this song is so sad. This song was written by drummer Jake Bundrick, who found out that his girlfriend of five years cheated on him (and she told him on their anniversary, nonetheless). This piano ballad features a back-and-forth vocal trade off between Sanders and Lancaster, with vocals sometimes overlapping each other, but in my opinion showcasing the conflicting thoughts of a break up and how to deal with the news of your S/O cheating on you. I love that MP are able to tell stories of break ups in completely polar-opposite ways (see choice 4). The twinkling piano, the switching vocals, the overlapping of thoughts – they all culminate into a song that brings out emotion I didn’t even know I had.

6.) Still Breathing

“Still Breathing” starts off with a somber-sounding guitar, the chord blending seamlessly with Sanders’ vocals. Drums subtly come in throughout the verse and eventually build up into the chorus, which isn’t anything mind-blowing, but isn’t overly simple and boring either. I don’t really know what draws me to this song, but I enjoy it nonetheless.

7.) Just Say You’re Not Into It

Let me tell ya, this EP was *~amazing~*. This song follows the hearts of a conflicted relationship, where the two are fighting, however they want to forget about it for the night and “bring their hearts back home.” I love the way the song starts off, with the lyrics “In a show of hands / who has ever said these words before? / And in a show of hearts on the floor / who has ever meant them more?” I thought that line was just cleverly crafted and didn’t even need to be explained for it to be understood. That right there my friends, is good lyricism.

8.) I’d Hate To Be You When People Find Out What This Song Is About

Long live the days of long song titles – can we bring that back please? I heard some rumors that “Sunnyland” will have more long titles – yay! Anyway, back to this song. The main reason I love this song so much is because you can hear so much emotion in both of the vocalists voices, but especially Lancaster’s when he jumps into the chorus. I honestly don’t really know what this song is about, who it’s about, what’s going on, but it makes me feel. It’s the weirdest thing – but hey, that’s what music does to ya. Also, with the guitar solos and the way that the song builds, the song flows together so smoothly and makes me want to throw down.

9.) Terrible Things

Okay sorry, we’re going to get sad again. But this song is just. so. beautiful. The narrator, a father, is telling the story of the father and mother – when they first met, when he proposed, and when she told him she’s sick. I mean, shit. Paired with the somber piano, this song is so sad and evokes so many emotions. The father is telling the son “So don’t fall in love / there’s just too much to lose.” and “Now son / I’m only telling you this / because life can do terrible things.” This song is basically a Nicholas Sparks book summed up in four minutes.

10.) One Of Them Will Destroy The Other

This song is one of the songs I actually like from their 2015 album, “Black Lines.” I love how raw this song sounds, in terms of instrumentals and in vocals. Sanders experiments with some more screaming, a change that really shook up their discography since Lancaster left the band. Some fans were disappointed, citing that MP is a band they go to for more sappy, heartfelt songs, not heavier music. However, I thought this was one track that actually did a good job of capturing that raw, stripped down sound that they were looking to do for the album. I don’t think it completely worked out for them – I saw them live shortly after this album was released and they played 3 songs out of a 20 song show from this album. That being said, the songs they did play were the good ones, so I wasn’t too disappointed.

So there you have it! I’m really excited to hear what their album will sound like, and of course, I will see them live at Warped this summer.

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The post Jen’s Top Ten’s: My Favorite Mayday Parade Songs appeared first on KRUI Radio.

1.) Patrick Stump of Fall Out Boy

If you keep up with my articles, then you know that Fall Out Boy are one of my favorite bands. One of their greatest strengths is lead singer Patrick Stump’s voice. Patrick has a wide vocal range, with some songs (such as “Headfirst Slide”) he features the lower side of his voice. Fall Out Boy’s two latest releases, Save Rock And Roll and American Beauty / American Psycho feature more of his higher vocal range (especially songs like “My Songs”).

You can definitely see the maturity in Patrick’s voice as you listen over each discography, with their earlier sound being more aggressive and Patrick’s words blending together. Not to mention, Patrick sounds phenomenal live.

Songs I recommend: Headfirst Slide Into Cooperstown On A Bad Bet and My Songs Know What You Did In The Dark

2.) Brendon Urie of Panic! At The Disco

Brendon Urie, the last original member of Panic! At The Disco, is undeniably talented. His voice is very clean cut, which has been reflected throughout all of Panic!’s discography. Like Patrick Stump, Brendon has a wide vocal range. However, I would venture to say that his is even wider. I mean, just check out their cover of “Bohemian Rhapsody” by Queen.

Since Brendon pretty much had free reign over the last record since he was the sole member, his work really shines through and I think that Death Of A Bachelor is one of his best records vocally.

Songs I recommend: Death of a Bachelor and This Is Gospel

3.) Trevor and Matt Wentworth of Our Last Night

Since they’re brothers and in the same band, I’m going to count them as one. In fact, I think that because they are brothers and have similar voices, they really complement each other in their work. Matt sings all of the clean vocals, while Trevor switches between clean and screaming. This works really well with their heavy post-hardcore sound. Trevor’s vocal range leans on the lower side while Matt’s is on the higher side, which really balances this band out to make for a pleasant listen.

Songs I recommend: Sunrise and White Tiger

4.) Parker Cannon of The Story So Far

Parker Cannon’s voice is the cherry on top of this band. Their aggressive sound features heavy guitar, banging drums, and none other than Parker’s yelling vocals. I would say that Parker’s voice sets them apart in the pop-punk scene since they lie more on the aggressive side of the pop-punk spectrum. Parker’s voice has the ability to make you feel angry and pumped up, even if you don’t directly relate to the lyrics.

His softer voice is showcased through songs on their short EP “Songs Of”, where there isn’t any yelling vocals present. It’s almost as if the soft Parker is a hidden gem in the world of pop-punk.

Songs I recommend: All Wrong and Clairvoyant

5.) Derek Discanio of State Champs

State Champs are arguably one of the best bands in the pop-punk scene today. What I love most about Discanio’s voice is that it’s soft enough, but it also has an edge to it. It’s clean cut with some raspy yelling thrown in there to give it some edge.

Songs I recommend: Secrets and Elevated

6.) Tyler Joseph of Twenty One Pilots

Twenty One Pilots are a band that have blown up in the past couple of years, and rightfully so. Tyler shows off his talent by singing in many different genres, such as rap, hip-hop, indie pop, and rock while most musicians stay in their preferred lane. His voice is whiney, but not in a cringe-y way.

Songs I recommend: House of Gold and Doubt

7.) Lynn Gunn of PVRIS

Lynn Gunn (short for Lynndsay Gunnulfsen) is hands-down my favorite female vocalist that’s out there today. She’s able to hit some deep, forceful tones as well as keeping things soft and simple. I think she has a really powerful voice that is euphoric just to listen to, especially the “stripped” versions of their songs that feature just Lynn’s vocals.

Songs I recommend: You and I and Smoke

8.) Eddy Brewerton of Moose Blood

Eddy Brewerton’s voice is hard to describe, so I will try my best. It’s very unique, to say the least. There’s definitely a roughness to it that’s more present on their album I’ll Keep You In Mind, From Time To Time. Another thing I enjoy about Eddy’s voice is how uplifting it sounds. Maybe that’s just because it’s paired with the upbeat music, but when you really listen to the lyrics you can actually feel your heart being ripped out. This would definitely not be the case if there was a lead vocalist other than Eddy.

Songs I recommend: Pastel and Gum 

9.) Joe Taylor of Knuckle Puck

When talking about modern pop-punk bands, a lot of people talk about Knuckle Puck. What makes KP so great? Vocalist Joe Taylor is one of the many reasons. In their early stuff, his voice can be comparable to Parker Cannon-like yelling, with cleaner vocals coming on their first full length Copacetic.

Songs I recommend: No Good and Untitled

10.) Derek Sanders of Mayday Parade

First off, can I just say that Derek Sanders is one of the nicest guys ever? I had the pleasure of meeting him in 2014 and he was the sweetest. Likewise, his voice sounds sweet to the ears. It hovers on the lower end of his vocal range, which sounds good paired with their pop-punk style and also their slower songs. If you really want to dive deep into the feels, check out “Terrible Things”.

Songs I recommend: Kids In Love and You’re Dead Wrong

Check out my playlist featuring these vocalists below!

The post Jen’s Top Ten’s: My Favorite Vocalists of All Time appeared first on KRUI Radio.