While certainly entertaining in an overtime Super Bowl, “Holy crap” sort of way, this ultimately serves to take away from Moonlight‘s stunning victory. Sadly, it is entirely plausible to think that this whole controversy will be better remembered than the film itself. Taking away how it won though, the victory is nothing short of the largest Oscar upset in memory.

La La Land was set up in every way possible: it is a film about Hollywood, it is a fairly easy watch (which means the Oscar voters are far more likely to open their screener and watch it), and it actually made money. In short, it is popular.

Moonlight is a million dollar budget movie that is a hard watch for some. A coming-of-age journey about a gay black man in Miami would have seemed out of place as recently as last year’s Oscars. Remember #OscarsSoWhite? Moonlight‘s victory marks a David vs. Goliath strike against heavy Oscar favorites, and is a huge step forward for film awards on the whole, as Moonlight is the first Best Picture winner with an all black cast.

Best Picture controversy aside, 2017’s Oscars were fair in terms of the distribution of awards. La La Land did not really deserve a clean sweep in thirteen categories, but it did have great musical numbers, a very Hollywood look, and fantastic direction. So it won in the music categories, cinamatography and production design, and in direction (Emma Stone also took best actress). Moonlight had great performances, was well written in its elegance and simplicity, and was an overall important film. It won its awards accordingly.

Seemingly every major film nominated won in an appropriate category. Fences and Manchester by the Sea were propelled by profound acting, and won Best Supporting Actress and Best Actor respectively. Arrival and Hacksaw Ridge even won some well deserved praise in various technical categories. The major awards on the whole were not too surprising.

Of course everyone has their own picks and predictions that may have been upended by the Academy. I for one would have liked to see some love for Lion and Hell or High Water, two movies that went overlooked by most Academy voters as well as movie watchers on the whole. And as much as I enjoyed Zootopia, I will fight anyone who tries to convince me it was a better movie than the morally deep and visually stunning Kubo and the Two Strings.

The drama and the disappointments are part of what make the Oscars enjoyable. Could you imagine what would have happened if the Best Picture mixup had happened the other way around? No doubt, Twitter would have imploded from all the Hollywood haters coming out to bash La La Land. But you can’t deny it would have been something to see.

Either way, it is another Oscars in the books. Good movies were fairly awarded. Jimmy Kimmel did a serviceable hosting job. No one will ever forget Moonlight winning Best Picture. Hopefully this will draw more viewers to Moonlight and the other nominated films, as the stories they seek to tell are far more important than the media stories surrounding them.

The Movie Dude reviews limited release movies, independent films, and smaller theatrical releases.

The post The Movie Dude: Oscars Recap appeared first on KRUI Radio.

Adia Victoria, who performed at The Yacht Club on Wednesday night, was born and raised in South Carolina and discussed the effects of growing up around white people. She explained that she creates art to “fight against the narrative pushed on me” and how she used to associated blackness with only shame. Growing up around white kids led her to constantly compare herself to them, which created a “deficit” in her mind.

She explained that after realizing this in her 20’s, she has spent a lot of time “unpacking my internalized racism” which is an issue that many people of color share when they grow up with the indoctrination of Eurocentric ideas.

Victoria describes her feelings about blackness now to be “a liberation” from her previous ideas. She hesitantly confessed to a crowd of mostly nonwhite people that she “feels blessed” she wasn’t born white, because of the vantage point that has helped her to understand the world better.

After her answer, the audience looked back at Martin, lead singer of PHOX, whose eyes brimmed with tears. Adigweme asked her about her feelings, and Martin disclosed an important moment in the decolonization process: “I feel behind in many ways.” She elaborated, saying that because she hadn’t critically examined her blackness the way that Victoria has, she feels that it’s not her place to comment on black experiences until she has “thoroughly educated” herself.

This represents a feeling that I have definitely experienced, earlier in the learning process. I felt like my friends had so much more knowledge than me, and they had read theoretical arguments and feminist literature that I hadn’t heard of, and I invalidated my own position as a brown woman living in a white space.

However, Adigweme responded with my exact thoughts. “It is your place, though.” As a black woman living in America, as a musician creating art in a white space–her experiences are just as valid and she deserves a voice.

The panel continued, as Martin brought up issues of colorism in the black community. Victoria spoke against the limiting definitions of blackness. Both artists discussed their frustrations with wanting to create art meaningful to them, but the white music industry expecting them to make pandering music that appealed to “the NPR crowd” (otherwise known as white hipsters).

Victoria explained how she has learned to deal with those people: learning to say no. When people try to change her creative process or her political activism, or tell her she isolates herself by creating a certain kind of art, she reminds them, “you work for me.” She finished her answer by defiantly declaring “I’m not going to take a position of subservience in my art.”

Black Art/White Space Pt. II was the most powerful Mission Creek event I have attended so far, and I applaud the organizers for including this in the festival.

Check out my review of Adia Victoria’s show here, and PHOX’s show here!

Keep updated on Mission Creek events at missionfreak.com.

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